Category: Hemispheric Views

  • Presenting…

    Although I often use Pages to refine shared documents and MarsEdit to publish posts on Lounge Ruminator, my main writing app (particularly for university) is iA Writer. It feels like a rethought TextEdit on Markdown steroids: it’s minimalistic, focused and includes a restricted set of beautiful fonts, which are named Mono, Duo and Quattro.

    When iA announced that it was working on a new presentation app, I became very excited. I love Keynote but the idea of using an iA Writer-style interface to create presentation slides was fascinating to me. For a while, iA teased that it was researching what people found stressful, distracting or tedious about making presentation slides, and said that it was putting quite some effort into offering a new approach based on the feedback that was received.

    What they announced was iA Presenter, which is currently in beta and available for testing by request. In short, the app is intended to strip back all of the clutter, confusion and crazy template choices that Microsoft PowerPoint and Apple’s Keynote offer. Instead of greeting you with a long list of design options and giving you a big app window with buttons, iA Presenter suggests a different approach: write and structure your presentation (using Markdown) in a way that focuses on the speech that you wish to deliver, then worry about inserting images, designing stuff and rehearsing at the end.

    What I have explained here is the very short and simplistic version of iA Presenter’s philosophy; if you would like to learn more about the approach, you can read iA’s excellent and very detailed articles, titled Being Boring: What’s Wrong with PowerPoint? and How Can We Make Presentations Better? iA has also asked people not to share too much detail while it’s being refined, so I’ll refrain from that here, but you should check out the links and sign up if you’d like to learn even more.

    As someone who loves typing in general, this approach of writing thoughts for a presentation before placing and resizing images really clicks for me.

    The thing that makes me sad, however—now this is a first-world problem—is that I’m not sure that I would have a reason to use it and that I should even buy it once the full version becomes available.

    Why is that, you ask?

    Well, I rarely have to make presentations and when I do, they are generally expected to be in a very particular branded corporate template. Over time, presentations have gradually shifted from being visual aids to become *documents*. Yes, for some bizarre reason, workers these days think that the vertical document, with its logical and flowing headings and paragraphs, has become insufficient or unfashionable. Instead, all ideas should be presented in landscape with ridiculously long lines that span a great white plain, hurting your eyes in the process as they are presented next to dense flow charts and buzzword-filled diagrams. Of course, everything must also be in Arial. ALLE ANDEREN SCHRIFTARTEN SIND VERBOTEN!!!

    Without a doubt, one of the major culprits responsible for ushering in and encouraging this new era of landscape-document lunacy is Microsoft Teams. As the catchphrase ‘I’ll just share my screen now’ has taken hold, more and more people are relying on PowerPoint to share visual essays in video calls. Death by PowerPoint is now fully digital for you at home, as you lose the physical audience that once suffered with you in a common physical space.

    Because I’m a nerd, I will probably still buy iA Presenter and find a way to use it. It’s a wonderful app and I will find a way to justify the purchase.

    Now we just have to find a way to remind people what slides are actually for: aiding and clearly communicating an idea, rather than suffocating it.

    This post was originally written in August 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

  • On Hemispheric Views, Andrew, Jason and I regularly discuss our own experiences with digital technology and its effects—generally with a focus on the positives. Digital devices are so much a part of our lives at this point though that we habitually want and reach for things without a moment’s consideration.

    Having a baby in the house makes you think differently about all kinds of technology, whether it’s the car in which you have to install a seat, the furniture that you have to shift for safety or the various implements, utensils and toys that make their way into your home. Sometimes, a baby radically shifts the way that you use a digital device too; this time, I’m talking about Apple TV.

    Natasha and I still make time to listen to music and watch TV shows, but Mac has already developed his own taste for very particular content, which is naturally now a part of our lives… and here’s the favourite.

    2022 Apple Music Video Playlist Nursery Rhyme Videos

    Yes, Apple Music has a Nursery Rhyme Videos playlist that Mac absolutely loves. To be clear, we seriously limit his TV viewing time and most of the day we keep it off, with only music playing through the HomePods. Already though, he understands that the Siri Remote is this magical thing that his dad picks up to make the five little duckies appear on the screen. He sits on the mat in our lounge room, turns to me and points with a grunt at the TV, then the Siri Remote. It’s pretty hilarious.

    To fulfil his wish, we play a selection of music videos from this playlist once a day, sing and dance along, then turn everything off and move on to something else.

    I’ll be honest, aside from the annoying Disney Junior clips (which are too quiet), I thoroughly enjoy a chunk of this playlist and often get things stuck in my head, particularly The Wiggles’ classics Hot Potato and Toot Toot, Chugga Chugga, Big Red Car—the best kids’ song, in my opinion. During the former, Mac very enthusiastically mashes banana.

    In what is undoubtedly old news for any Americans reading, I’ve been enjoying the ridiculous John Jacob Jingleheimer Schmidt. I’d never heard of it before this playlist! Natasha enjoys it too, although she does get the shits when she finally gets it out of her head and then I start singing it again.

    For this article, however, I want to share four examples of the more unusual moments in this eclectic children’s playlist. Warning: some of the following content may be disturbing.

    Example 1: Cringey Faux Americana

    I was appalled at this clip when I first saw it, but after the 1,000th viewing, I’ve come to admire the performances of these dedicated, yet musically-untalented children. Below, you can see a bunch of Greek kids of the children’s group Zouzounia (translation: ‘The Beetles’), singing and pretending to play along to She’ll Be Coming Round the Mountain in front of a green screen that’s made to look like an authentic ‘El Rancho Grande’. It’s funny to hear Greek kids pretend to be American.

    2022 Apple Music Zouzounia She ll Be Coming Round the Mountain

    Example 2: Sugar, Poor Road Safety Education and an Unexpected Financial Institution

    Kindly brought to us by HeyKids Nursery Rhymes, I had my suspicions about this music video version of The Muffin Man. Besides the fact that a woman walks around with six children, who don’t look alike, constantly leading them to unhealthy food (is she their teacher, parent or just a stranger?), all of the people look like bizarre caricatures of Westerners, through the lens of someone from somewhere else. My spidey-senses began to tingle even more when I noticed that one of the few building signs to have text on it in the whole clip was for ‘Bank of China’. Who on Earth puts ‘Bank of China’ behind a fireman in a kids’ music video? After some decent research, I discovered that HeyKids is from Hong Kong—nothing wrong with that at all, I just wanted to be right that it was secretly from somewhere other than the place that is vaguely depicted.

    Anyway, the thing that disturbs me about this music video is that children are encouraged to stand in the middle of the road and hang on to the back of an ice-cream man’s bicycle esky/cooler without helmets.

    2022 Apple Music Muffin Man

    Example 3: Manky Banana Dangle

    In what is otherwise a great clip, The Wiggles’ rendition of Apples and Bananas, it’s somewhat off-putting to see a stringy bit of the external flesh of a banana dangling from Simon’s lip as he supports his fellow performers. Swallow it; don’t let it shake as you dance!

    2022 Apple Music The Wiggles Apples and Bananas

    Example 4: Holy Hell

    Let’s face it: The Farmer in the Dell is quite the ear-worm. I love singing along to this in just about any social setting in my most exaggerated American accent.

    If you’re unfamiliar with the song, the former always ‘takes’ the latter… the farmer takes the wife, the wife takes the child, the child takes the cow and so on… until the mouse takes the cheese and the cheese stands alone, because it’s an inanimate hunk of curd.

    How does the group named Kidsongs bring the clip to an end though? It zooms in to show the farmer’s wife using her face to fill the biggest hole in the piece of lonely cheese, through which the aforementioned mouse travelled.

    2022 Apple Music Kidsongs The Farmer in the Dell

    I love cheese but this is the stuff of nightmares.

    Anyway, where was I going with this article? Oh yeah, that’s right… quite simply, when you have a kid, you start to do, observe and enjoy things that would seem unbelievably ridiculous to the vast majority of people.

    I would never have chosen to put any of these clips on by myself, but with Mac, it has become a daily ritual that I love. I will make sure to remind him of this playlist when he’s older (and probably sing the songs to annoy him).

    For now, I hope that you will enjoy the linked playlist and music videos with me. Is there one that made you feel nostalgic? Anything that was more disturbing to you? Can you pick a favourite or offer something beyond this list? Let us know in the Hemispheric Discord.

    This post was originally written in July 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

  • A Promise

    Listeners will recall that in Hemispheric Views episode 059, Flip the Bit!, I revealed that I purchased an Xbox Series X. It’s my first new console purchase since I was in early high school, which was an Xbox 360. (I completely skipped the Xbox One generation.)

    Since bringing the Series X home, I have been enjoying the chance to revisit the Halo franchise—remastered and in higher resolution—while playing newer games like Forza Horizon 5. Xbox Game Pass is truly impressive and it has been cool to play streamed games on devices like my iPad mini as well.

    Another thing that appealed to me was the extensive list of backward-compatible games for the Series X and S, going all the way back to the original Xbox. I was impressed by the message below, which is displayed on the webpage.

    Delivering on our promise of backward compatibility (with tiled game titles)

    Microsoft is more or less communicating that it’s a duty to keep old games running for fans and long-time customers. They call it a promise.

    While this message is lovely, the reality is somewhat different from what you would expect. I checked the list for some of the old games that I already had and was disappointed that the majority of them are not supported. Excluding some of the games that my sister used to play on our old consoles, along with others that I left at home, here are the old games in my house right now that do not work on the new system.

    12 game titles arranged on a wooden table

    I realise that this is a first-world problem and that while these games are important to or nostalgic for me, they may not be to others. Notably, there are some games from big media franchises in here, in particular The Simpsons: Hit and Run, Enter the Matrix and Tony Hawk’s Pro Skater 4. Not to mention, Forza Motorsport 3 is a part of the signature racing series on Xbox.

    Still, this lack of compatibility for my old games did not discourage my purchase of the new console and I do not regret buying it. At some point you want to experience new graphics and gaming possibilities; old stuff unfortunately gets left behind in the process.

    My question is simple though: how seriously does Microsoft take its promise? Are these games (and many others) being left behind because of licensing issues? Is there something that makes these games more difficult to update or maintain on newer systems?

    Well, late last year, Microsoft answered these questions in this press release, which included the following statement:

    While we continue to stay focused on preserving and enhancing the art form of games, we have reached the limit of our ability to bring new games to the catalog from the past due to licensing, legal and technical constraints. Thank you for being part of this journey with us.

    I’m not sure what these constraints are specifically, however it’s saddening that so many other games will not receive the same treatment. While Apple has repeatedly left old software behind, for example, we generally receive a decent explanation about what doesn’t work anymore, such as the transition from 32-bit to 64-bit.

    I express this concern about games not just as a consumer who wants to play them, but as someone who regularly pours a lot of effort into producing stuff online, such as blog posts and podcasts. How would I feel if all of these things that I have uploaded suddenly vanished or didn’t work on computers anymore? Game developers spend significant time and energy creating pieces of art that delight people around the world, then those things just aren’t maintained. Their work doesn’t receive the same level of reverence as classic films, art and albums. To those who may be blocking their maintenance or updates due to legal reasons, I ask: why? If you can refresh great assets and resell them to old and new fans alike, wouldn’t that be of interest to you? I’ve paid to see films that I already own once they’ve been remastered and brought back in retro screenings.

    It’s great that Microsoft announced its intention to create an extensive library of backward-compatible games but the word ‘promise’ can be a dangerous one. If you can’t keep a promise, even if it isn’t your fault, then you probably shouldn’t make it.

    Are there any old games that you enjoy which haven’t made the leap to newer systems? Is there something that you run in an emulator or an old system to keep your nostalgia alive? Let us know your story in the Hemispheric Discord #gaming channel.

    This post was originally written in June 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

  • Listeners of Hemispheric Views may recall that I am a fan of the reimagined series of Battlestar Galactica (2004); by extension, I also enjoyed its prequel, Caprica (2009), which portrays a hedonistic capital (of the Twelve Colonies) before its destruction by the Cylons. At the beginning of Caprica, which I don’t intend to spoil entirely, we witness the death of Zoe Graystone in a train explosion. Zoe is the daughter of brilliant inventor and businessman Daniel Graystone and she inherited much of his skill: prior to her death, she devised a way of essentially cloning herself digitally, using all of the information about her that existed in various systems, whether uploaded through their equivalent Caprican social media, online games or in her varied purchase history and accounts. After death, Zoe (or a version of Zoe) continued to exist in virtual reality as a kind of avatar.

    The thought of being able to digitally clone one’s consciousness is fascinating but I find it equally intriguing to consider the wholeness (or fragmentation) of what we upload and share every day. What I mean is that every day in various social circumstances, we act as different people with discrete personas. When we go to work, we speak and approach situations differently from when we gather for a family dinner, ask a stranger for directions or purchase something over the counter. Depending on who’s with us and how much we trust them, we share more or less of ourselves, omit facts, strive to save face and even lie to protect ourselves and others. We use the Web in virtually the same way, communicating and displaying diverse (perhaps contradictory) elements of ourselves according to the networks and spaces in which we’re operating.

    While Caprica portrays a perfect copy of a person (at first), assembled by myriad bits of information uploaded over a lifetime, what if the actual result of this hypothetical practice led to the total opposite?

    Think about all the online accounts that you have. These could include your bank account, a governmental health login, eBay and Amazon accounts, that reward program that your signed up for to shut up a salesperson… but perhaps the best example is your social media profiles. I suggest this because they carry the greatest intentionality; while other accounts gather data purely from your mundane clicking through processes or filling out forms, social media profiles create a picture of you that is based on your deliberate publication of thoughts, feelings and milestones.

    As an example, consider how some of my following accounts show disparate personas or elements of my personality, which when viewed by others in isolation or without cross-referencing, could give a totally different impression of who ‘Martin’ is:

    • Personal Micro.blog and connected Hemispheric Views accounts — Martin is an amateur, independent, tech-focused podcaster and blogger who willingly makes himself known and shares personal moments and photos of his life, including family updates;
    • WordPress — Martin is a pretentious writer who shares somewhat Seinfeldian rants in what he repackages as ‘ruminations’, with very few images of himself or others;
    • Twitter — Martin is an academic podcaster who also talks about iPods too much and comments on threads connected to tertiary class-code hashtags;
    • LinkedIn and Workplace — Martin is a ‘professional’ corporate podcaster, videographer and social media guy who shares stories about employment, branding and industry;
    • Facebook — Martin is a virtually blank and faceless person who maintains an account only to manage the page for an academic journal—never to connect or communicate with others—after deleting his original personal account; and
    • Discord, Slack and Patreon — depending on the group or subscription, Martin is a podcast producer or listener, a Matrix fan, a film guy, a PhD student or whatever.

    Independent, academic, corporate, professional, amateur, known, faceless…

    These words, when presented together, seem contradictory. Do they all represent the same person? The answer is obviously ‘yes’, as I’ve shared this with you, but it does show how we adapt our own image and switch personas, depending on the audience. I am a different person at work from what I am at home or when you hear me on Hemispheric Views. Do you really know Martin?

    When I factor in all the other data that exists about me as well and circle back to the question of making a perfect digital clone, assuming that the technology could exist, would such a clone even be able to function and understand itself? As human beings, we exist in a constant state of self-contradiction and adaptation. When we reach the singularity, computers will have matched and then surpassed our cognitive abilities, but will they be able contradict themselves intentionally and unintentionally, reflexively or unreflexively, to their own advantage and detriment? Bugs aside, computers are governed by predictable systems and although we are biological machines, we have evolved to be many versions of ourselves in a way that computers can’t and may never be able to do. A digital clone may have all of one’s characteristics but would it know what to do with them? Could a perfect digital clone be imperfectly human?

    Now, thinking about all the accounts that you own and social circumstances in which you find yourself every day, how many versions of you are there? Who are you?

    This post was originally written in May 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

  • At the beginning of our April Hemispheric News on One Prime Plus, Andrew discussed the issue of web apps and their user experience (or lack thereof); I share his opinion. Andrew raised a great point that many people may not know or care about the difference between web and native apps, as an equivalent tool within a browser may offer all the functionality that they need.

    Although we’ve been living with digital technologies for decades, many of the issues and misunderstandings that people experience are due to insufficient language. In the world of computers, terms can be either overly complicated or too simple. Consider the common problem of terms and conditions when you register for an online service like a web app or social network: included privacy policies are presented with endless, impenetrable jargon, even for those who are comfortable with technology; and companies that try to do the right thing by providing a shorter alternative version of their terms may oversimplify the document to the point that the text is condescending or no longer accurate.

    It’s said that lawmakers struggle to keep up with technological changes and that by the time they’ve adapted policies to fit them, they’re either weak or things have moved on. Again, I blame insufficient language and I propose that the following term is the worst offender for insufficiency and ambiguity and the most controversial web app: social media.

    Social media, for all of their power in enabling global communication and positive connection, continue to cause harm online and discombobulate policymakers. What if all the issues in dealing social media come down to the fact that the term is insufficient and meaningless, failing to describe the relevant services at all?

    Let’s break things down. Looking at the Australian Government’s Be Connected resources on its eSafety website, the following definition of social media is given:

    Social media is a collective term used to describe any website or smart device app that can be used to share (or socialise) information.

    That information can be made up of text, pictures, sound or video (different types of media), and it can be sent from your computer or device to one or more other people by using a special website or app.

    There are many different types of social media websites and apps that are owned by big companies, including some of the best known: Facebook, Instagram and Twitter.

    Addressing the term ‘media’ first, media ecologists such as Marshall McLuhan and Neil Postman argued that media and technology are synonymous: any tool that enhances a human’s ability to achieve something is a medium, which could include anything from a spoon to a traffic light to a website, or even natural phenomena such as light. A medium contains or facilitates (and influences) content. Looking at the definition above, the term ‘special website’ is vague and ridiculous, and it could be argued that a website in its general sense could be a form of social media, as it presents information that is made up of text, pictures, sound or video. When you make a website or add something to an existing one, you are sharing (or socialising) information with others.

    Now, let’s turn to the word ‘social’. I argue that in this context, the word is tautological. Anything that a human does in conveying information may be regarded as social; when you communicate something, whether orally, in written form or through facial expressions, either to a seen or invisible audience, you are committing a social act. With regard to media (or technology), is the term ‘social’ even new? What other kinds of social media might have existed before digital technology? Consider the following:

    • letters — maintaining a friendship with a pen pal by exchanging written messages;
    • phone calls — using the medium of the telephone to be social using only your voice;
    • television, radio and cinema — gathering with friends, family and even strangers around a screen or speaker, whether at home or elsewhere, to enjoy a specific medium and its content; and
    • theatrical and musical performances — gathering with others, as above, but hearing and seeing the socialised information of actors or musicians live on a stage.

    I could go on… all of these are media are social, both in the transmission and reception of information and in the interactive sharing of it with others. If people try to use a term such as ‘social network’ for these services instead, isn’t that even more ridiculous? Wouldn’t a social network consist of everyone you’ve ever met in your life, rather than one digital tool? ‘Social networking’ is what it means to be a human being.

    Many people describe ‘social media’ (in the digital sense) as things that are new. They also assert that only young people get them innately and grow up as ‘digital natives’—understanding their use and potential before or more deeply than older generations. Both of these points are false. While ‘social media’ may be new, they are only relatively new. Facebook, for example, is almost 20 years old. People who first used it as children then are adults now. On the matter of younger people as ‘digital natives’, while they may adapt more quickly to navigating digital interfaces, they often fail to realise the implications of their technological use and how their personal information may be handled.

    If we were to focus on teaching digital media literacy and arming ourselves with more powerful and descriptive terminology, rather than submitting to a kind of euphemistic Newspeak, global understanding of technology may be enhanced.

    What could be an alternative term for ‘social media’? Given their reliance on data and algorithms over anything that’s qualitatively human or social, how about one of the following suggestions?

    • Human-fed data communication banks
    • Algorithmically-driven advertorial networks
    • Personally-targeted publishing companies

    They’re not the prettiest terms but they give you a much better idea of what’s going on than ‘social media’ does. How would people think about the information that they add to these web apps and services if they were labelled differently?

    I offer this article not as a negative piece about social media—I enjoy using them—but to emphasise that our inability to define them is what hinders our ability to moderate them.

    This post was originally written in April 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

  • Back in August of 2018, I was motivated to write a brief blog post about what is probably my favourite album: Eternal Nightcap (1997), which is the third album by The Whitlams. I have wonderful memories associated with this album, as it played on repeat in the car during family road trips and to me, acted as a kind of cultural compass for life in Sydney and its surrounds. I was only in primary school at the time but I felt grown-up listening to it, as it featured wonderfully descriptive and cheeky lyrics, such as the following:

    – ‘All my friends are fuck-ups but they’re fun to have around’ and ‘By the time she gets to Marrickville we’ll be masturbating’ from ‘You Sound Like Louis Burdett’;

    – ‘She was one in a million so there’s five more just in New South Wales’ from ‘Up Against the Wall’; and

    – ‘My mum’s got a new boyfriend and I like the man’ from ‘Love Is Everywhere’.

    If you’re not from Australia, this album is a classic, with unparalleled storytelling through song—largely owed to founding (and the only original) member Tim Freedman. There’s also the fantastic ‘Charlie’ trilogy of songs, dealing with issues of mental health linked to substance abuse, the magnificent ‘No Aphrodisiac’, which won Triple J’s Hottest 100 back in the day, and a wondrous, toe-tapping cover of Bob Dylan’s ‘Tangled Up in Blue’. Although some of the lyrics have been rightly changed in recent live performances to fit shifting societal attitudes (e.g. the description of Kinky Renée in ’No Aphrodisiac’), the album remains a favourite and was even performed by the band in its entirety with the Sydney Symphony Orchestra, along with other classic songs like ‘Blow Up the Pokies’.

    Yet more wonderful albums followed, such as Love this City, a critique of Sydney in the lead-up to the 2000 Olympic Games, Torch the Moon, when the current band line-up was confirmed, and Little Cloud, which Freedman wrote when he lived in New York City, before returning to Australia. I could go on about the others but we don’t have time for that.

    Little Cloud was The Whitlams’ last album, released in 2006. For years while touring, Freedman would joke that they were set to perform songs from their latest album; the audience would cackle in response, unfazed by the lack of new material and still thrilled to hear their favourite songs from an already enjoyable canon. I was one of those people, as I have seen the band perform and Freedman play solo a number of times.

    In 2022, all of this changed. For the first time in 16 years, The Whitlams released a new album: Sancho. Upon hearing at a solo show early last year that new content would be coming out, I was seriously excited. But what prompted a new release from a band that had seemed content in playing its classic collection on repeat? The answer is a sad one… the album title ‘Sancho’ was the nickname of the band’s late tour manager, Greg Weaver, whose death sparked new songwriting. Thankfully, the band turned an untimely loss into a positive tribute.

    As I claimed above, Freedman is unmatched in his storytelling, mixing catchy riffs and effortlessly precise piano with engaging, heartfelt narrative and often dry, quirky humour. Unexpectedly, the album begins with a cover of ‘Catherine Wheel’ (with the original by Washington) and includes an unpredictable track list that weaves in and out of moods and styles. Notably, two great story songs (at over six minutes in length) feature on the album: the title track, ‘Sancho’, which is a musical eulogy that captures the feelings of an exhausted band on the road with its manager; and ‘Ballad of Bertie Kidd’, a song based on the true story of robbers who were busted on the way to a bank heist, simply because they were spotted putting on their balaclavas too early while driving.

    There’s also a lot of cheekiness, such as the catchy ‘(You’re Making Me Feel Like I’m) 50 Again’, which is particularly amusing to me, as back in 1997, Freedman sang in ‘No Aphrodisiac’ as a joke about (then) older lovers relative to himself: ‘Forty, shaved, sexy, wants to do it all day’.

    There are songs of affection too, such as ‘Nobody Knows I Love You’ and ‘In the Last Life’, which I believe are exemplary of The Whitlams’ ability to write lyrics that perfectly balance the first and second person: you feel drawn into Freedman’s thoughts and emotions as lead vocalist, but also feel like he’s addressing you directly with his messages, even if those feelings aren’t intended for you.

    With three songs exceeding five minutes, Sancho still manages to be digestible at 44 minutes in total duration. By the end, you’re left feeling satisfied, yet also wanting more; but as a fan of the band, you know that you shouldn’t wish for too much. This is quality rather than quantity. After all, Sancho is the first new work from the band in 16 years, and evidence of their continuing ability to produce top-notch content that is poetic, heart-breaking, uplifting and funny all at the same time.

    Give Sancho a go.

    This post was originally written in March 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

  • Nyrang

    This post was originally written in February 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

    2022 02 Nyrang Park Sky Jurassic Park

    Those who follow me on Micro.blog may recognise the photo above, which I posted there recently, stating that the combination of canopy and sky reminded me of Jurassic Park. It was in fact taken in Nyrang Park (pronounced nai-rang), which is a beautiful natural reserve near our home in Wollongong.

    2022 02 Nyrang Park Apple Maps

    Nestled behind suburban backyards, many people who drive by don’t even notice that it’s there, even with numerous eucalypts that tower over the houses that front the road. It’s easy to zoom past the entrance.

    2022 02 Nyrang Park Sign

    After the positive reaction that my Jurassic photo received on Micro.blog, I scrolled back through the Places function in my iCloud Photo Library, looking specifically at all the photos that I had taken in the park. What occurred to me, as I perused my collection, was this: Nyrang Park has become my sanctuary. It was Natasha who first showed me the park years ago, before we moved in together, as it is near her family’s home. At that point, I had no idea just how significant a role this park would play in my daily life.

    Fast-forwarding to more recent times, when the COVID-19 pandemic started and we were all sent to work at home, I knew that I would need to continue my lunchtime walking habit to preserve my physical and mental health. It’s easy to remain inside all day if you’re busy—particularly if you’re in your home with your own stuff and creature comforts. Nyrang Park became my regular walking place, through which I still frequent today, as I meander through the paths under the trees, spotting and listening to galahs, magpies, cockatoos and kookaburras, or even listening to a podcast as I observe the canopy and flowing creek. Passing through, I regularly stop to take in a scene, sometimes snapping it with my iPhone or even making the effort to take my Canon DSLR along sometimes. Whether it’s an early morning walk, a lunchtime stroll or a way to clear my head after work, the walk is always beautiful; occasionally I’ll visit the park multiple times in the day, just to enjoy the differences in light and colour. Here are further photo examples.

    2022 02 Nyrang Park Path

    2022 02 Nyrang Park Creek

    2022 02 Nyrang Park Trees Portrait

    2021 Nyrang Park Tree Roots

    2021 Nyrang Park Eucalypt

    On the point of listening to podcasts when I visit Nyrang Park, I’ve thought a lot about the role of technology as we walk through natural spaces. In this case, I’m wearing technology in the form of my AirPods Pro and controlling the podcast playback through Overcast on my Apple Watch. Depending on my mood, I may choose to augment the experience of my walk with audio through transparency mode, still hearing the running water and singing (or screeching) birds as I listen to my podcasts, or I may forgo audio entirely, seeking to escape technology and any potential distraction or notifications.

    On the rarest of occasions, however, I’ve managed to fuse the experience of nature and technology into something meaningful and memorable. One time late in 2020, on a Friday afternoon when Natasha was out with her colleagues, I visited the park to wind down and put the working week behind myself. As I followed the central path and crossed over the creek into Nyrang Park’s clearing, I was struck by how vivid the sky was, with light, fluffy clouds sweeping gently overhead. I felt the need to stay for a while and enjoy the clarity and peacefulness of the moment. It was at that moment that I remembered that I had added a new album to my library: Ólafur Arnald’s Some Kind of Peace. Given his style of music and the album’s title, I thought that it would fit the scene.

    2021 Nyrang Park Clearing

    I proceeded to lie down right in the middle of the clearing, put in my earphones and start the album. From beginning to end, I remained on the ground, looking directly up at the sky as the clouds shifted gradually (seemingly to the music). It was the perfect combination of natural movement and personal technology, completely blocking out the existence of everyone and everything else on the planet for 40 minutes. This was enhanced by both noise cancellation and the fact that I couldn’t see anything other than the tops of eucalypts in my periperal vision. Time slowed down and I thought about the mass of the atmosphere between myself and the vast openness of space, the feeling of the grass beneath and around my body and how the colour of the sky shifted as the Sun began to set.

    While that afternoon is stuck firmly in my mind, I have many other positive memories in the park since the birth of my son, Mac. During my parental leave, for example, Natasha and I would walk him in his pram or in a carrier through the park every day, exposing him to the sounds of the birds and the feeling of the natural light. (You can’t just keep a baby inside all the time!) It was a great way to stretch our legs and mitigate potential lockdown cabin fever. One day, we even discovered that a tomato vine had started growing next to the path at the park’s entrance, so upon each visit, we would pick some cherry tomatoes and I would enjoy their explosive juiciness as I strolled with my new family.

    2021 Nyrang Park Cherry Tomato

    2021 Nyrang Park Creek Martin with Mac

    Now that he’s slightly older, Mac sits up in his stroller and Natasha points out the water dragons that dot the park, seeking sunshine, and he waves at them. My mum and sister even join us for walks there and Natasha’s parents enjoy time with Mac in a park that’s just around the corner—one that they’d never visited before. When life becomes busy, sometimes a new person or events kickstarts the the discovery of something new. I hope that in years to come, Mac will start to form his own positive memories of and associations with the place, whether with us or on his own.

    2022 01 Nyrang Park Water Dragon
  • This post was originally written in January 2022 for Hemispheric News; subscribe at the Patreon site One Prime Plus to receive this monthly newsletter and other benefits that are linked to the Hemispheric Views podcast.

    As I’ve said a number of times on our podcast, I’m not a huge gamer. As a kid, I spent a good chunk of time playing games on my original Xbox and later, on my Xbox 360, but this decreased as I progressed through high school, then went to uni and started full-time work. I never bought the subsequent consoles and these days, I play almost no games on my iPhone or any other devices, except for a few casual things on my Apple TV, like Rush Rally, Tiny Wings TV and even a remastered version of Nanosaur. That’s not due to a lack of interest, but a lack of time.

    Occasionally, I become somewhat nostalgic and crack out an old console, but this always feels like a massive hassle, as I prefer not to clog my entertainment unit with unnecessary gear, cables and power bricks. I pull them out, fire them up, then put them back. To an extent, it also bothers me even to keep these things around, as they’re bulky and take up considerable room in my wardrobe. More recently, I thought that I would pull out my original Xbox to play some old games; while the console turned on, it did not want to display on my LG OLED TV through the composite AV input, nor did its disc drive wish to open. Everything was stuck. After some research, I found that I could repair the disc drive’s stupid rubber-band thingy, but it all seemed like a lot of effort to get something working that would see hardly any use.

    Although I’m not wedded to my saved data, it saddened me that I couldn’t play classics in my collection, such as Splinter Cell: Pandora Tomorrow, Colin McCrae, Tiger Woods PGA Tour, Enter the Matrix and The Matrix: Path of Neo. Many original games don’t work on later consoles, as Microsoft did a poor job of ensuring compatibility for old games, especially The Matrix ones, which are my absolute favourites. Then, it hit me: if my saved campaigns for these games aren’t important, why am I worrying about such an old console? Why not get a different one to play the same games, which by now would be dirt-cheap to buy again?

    While I’ve owned only Xbox consoles, this has never been due to a brand allegiance, like the one that I possess for Apple. My choice to own and play these in my youth came down entirely to playing games from the Halo franchise, which continues to have amazing support across Xbox consoles; I’m even able to play it on my iPad Pro with Xbox Cloud Gaming, so nowadays it’s hardly something that keeps me tied to the platform.

    Natasha and her siblings, on the other hand, grew up in a PlayStation family and loved it. Realising that she has a collection of PlayStation games back at her parents’ home, including Singstar and EyeToy discs that she would also still love to play, I decided to do something (perhaps absurd) at the beginning of 2022.

    PlayStation 2 Slim and Wired Controller

    I bought a PlayStation 2.

    After doing some brief research online, I found that the local CeX shop in Wollongong (providing electronics exchange, etc.) had slimline PlayStation 2 (PS2) models with controllers in stock, along with a selection of games. Rather than pouring money or time into an ailing Xbox, which can easily be recycled instead, I realised that I could just buy a discounted, refurbished PlayStation, buy the games that are most important to me, and revisit them in my current lounge room. For the later games that I love, my Xbox 360 can remain. Furthermore, with the appropriate PS2 AV-to-HDMI adapter, I can now view the games at a much higher resolution than was possible on the original Xbox, which showed a cropped image on my large TV (when it did work). With this package, I get a bigger, sharper picture, save space in my entertainment unit and can finally clear out things that were clogging my wardrobe. I CAN’T EXPLAIN HOW MUCH SMALLER THIS IS THAN THE ORIGINAL XBOX.

    While I won’t have all the time in the world to play it, its permanent position under my TV should make it more an easier, more attractive proposition.

    Not to mention, the entire process of buying the PS2 ended up being a lovely shopping date with Natasha, as we handed Mac over to his loving Baba Tatjana (grandmother) and also visited a few other shops and bought cookie-butter frappes. WINNING!

    The other thing that excites me about this is the fact that I’ll be able to show Mac older games from my childhood in an easier, more accessible way (when he’s old enough to be interested… hopefully). Of course, the PS2 is already dated and will be even more so in the next few years, but that doesn’t matter to me. I want to be able to fire up the console, enter Focus mode in a Matrix game and say, ‘Yep, this was cool when I was your age’. Whether it’s a grin or an eye-roll, I’ll be satisfied.